Strauss, Matthew; Ruiz, Matthew Ismael (December 7, 2022). “Lana Del Rey Broadcasts New Album, Shares New Tune”. Lent, Caitlin (February 14, 2023). “Lana Del Rey and Billie Eilish Fall in Love”. Murray, Robin (February 14, 2023). “Lana Del Rey Shares Stunning New Track ‘A&W'”. Black, Sandra (Might 19, 2023). “Lana Del Rey formally releases ‘Say Yes to Heaven'”. Bowenbank, Starr (May 26, 2023). “Taylor Swift’s ‘Snow on the Seaside (feat. Extra Lana Del Rey)’ Has Arrived: Stream It Now”.
I ran smack into this hypocrisy when I found this feature in Nim referred to as fashion insensitivity. I had a visceral and hateful response to it. I couldn’t clarify why though. Why was the concept of letting people write out functions how it most accurately fits them so riddled with worms of worry? Isn’t this adding area to the language? A space I desperately crave in my programming life?
The tattoo on the back of former Army sergeant Matt LaBranche says, “I’ve come to carry you hell.” Indeed, it sounds as though this fella ought to be in Ward fifty four at Walter Reed, with the other poor souls completely fucked up by the perpetual war crime that’s taking place in Iraq. Before the conflict, LaBranche was residing in Saco, Maine, together with his wife and youngsters and ngentot had no historical past of mental sickness.
The impact of fatherhood on females is to make them male – dependent, passive, domestic, animalistic, insecure, approval and security seekers, cowardly, humble, “respectful” of authorities and men, closed, not fully responsive, half-useless, trivial, dull, typical, flattened-out and totally contemptible. Daddy’s Girl, all the time tense and fearful, uncool, memek unanalytical, kontol missing objectivity, appraises Daddy, and thereafter, different males, against a background of worry (“respect”) and is not only unable to see the empty shell behind the facade, but accepts the male definition of himself as superior, as a feminine, and of herself, as inferior, as a male, which, because of Daddy, she actually is.
With DRM, you cannot do any of this. You are 100% dependent on Spotify. You could use their program. You can solely choose from their library. They let you download songs for “offline” use, however these are riddled with DRM. You are not in charge; they are. The impact on software is certainly unhealthy, memek but thankfully there’s a clear cure. Use file codecs which might be free and open source (flac, opus.
You may nonetheless access it, however can’t search through it and it’ll possible be banned quickly, as most different quarantined subs are (archive) (MozArchive). Update: spez the cuck ended up banning NoNewNormal. Clearly, Reddshit – as the other huge tech devils akin to Wikipedia, Google, Twitter and FB – is within the enterprise of selling the evil corona restrictions and deleting everyone who dares to query them.
I’ve considered MPD earlier than, but I by no means switched as a consequence of multiple considerations (primarily laziness), but now I determined to set up the server. Shout out to Ahmed Adel which advised me about deemix; a device that fetches songs from the hilarious unencrypted Deezer. The famous/ English albums I like are normally pirated and present in lossless flacs with extravagant qualities. My downside was with Arabic songs (Largely hip-hop), which cannot found in high qualities anyplace.
It seems to me that the advertising concern buries all of self-possession, NAP and property rights. How “self-owned” are you really when hundreds of advertisements enter your brain daily and direct its functioning towards making you right into a perpetual consumer? Why ought to adverts not be thought of an aggressive act worse than the commonsensical view of violence, when (once more) they management us very successfully and we can’t avoid them?