Different works in Paris included an apartment building at 137 boulevard Raspail (1922), next to considered one of his earlier buildings at 26 rue Vavin; Quantity four and 6, Avenue Sully-Prudhomme within the 7th arrondissement, a building crowned with sculptural decoration by François Pompon; and in 1924, the building at 14-16 boulevard Raspail, Paris in the 7th arrondissement; the constructing at 22-24 rue Beaujon, Paris within the 18th arrondissement; at 42 rue de la Pomp in the 16th arrondissement; and at 50 avenue Duquesne and 12 rue Éblé in the 7th arrondissement. These are discovered at 20 rue Severo within the 14th arrondissement, (1905). 1 rue de la Chine in the twentieth arrondissement (1907), 1 rue Ferdinand-Flocon within the 18th arrondissement Paris (1912), and one within the port city of Le Havre, at 26 rue Jean-Macé (1911). In all of these buildings he followed the rules of rational and hygienic design which had been expressed in the writings of Eugène Viollet-le-Duc.
He designed two movie theaters in Paris; the Sèvres, קרקעות למכירה בירושלים at 80 rue de Sèvres in the seventh arrondissement, קרקעות להשקעה in-built 1920 and destroyed in 1975; and the Gambetta-Palace, at 6 rue Belgrand, within the twentieth arrondissement, built in 1920. The art deco interior of this theater has been remade right into a cineplex, and the entrances have been modified, but the facade is in its original form. However, he only utilized the system in two buildings; at 26 rue Vavin in the sixth arrondissement, and in an apartment constructing at thirteen rue des Amiraux. From 1929 till 1931, he taught architecture on the École nationale supérieure des arts décoratifs. Hitchcock as one of the pioneers of modernist architecture. He was additionally one among the first artists of his era to recognize the tip of the period of Artwork nouveau, which he abandoned in 1909. In 1913, Simply earlier than the primary World Warfare, Sauvage built a brand new structure for Louis Majorelle in what later became referred to as Artwork déco, making him, together with Auguste Perret, מגרשים למכירה בצפון one of many pioneers in this type. 342-348. F. Jourdain, “La villa Majorelle à Nancy”, La Lorraine artiste, n°16, 15 août 1902, pp. L.-Ch. Boileau, « Causerie – La villa Majorelle », L’Architecture, n°40, 5 octobre 1901, p.
105-114. A. Goissaud, « Exposition des arts décoratifs », La Construction moderne, 3 May 1925, p. Sept étages pour déshonorer un site », Bulletin de l’art ancien et moderne, novembre 1932, p. J.-B. Minnaert, « Allégorie du système de building en gradins », dans Alain Guiheux et Jean Dethier (dir.), La Ville, Artwork et Architecture en Europe 1870-1993, catalogue d’exposition, Paris, Centre Georges Pompidou, 1994, p. M. Chrétien-Lalanne, « Promenade d’un sceptique à travers l’Exposition des arts décoratifs et industriels modernes », L’Architecture, 25 April 1925, p. Along with his works in Paris, in 1925, Sauvage constructed a villa for Jean Hallade at Combs-la-Ville, and, in 1926, two villas in a rationalist type, one for himself Saint-Martin-la-Garenne in the Yvelines Department, and a residence for Julien Reinach, at 11 villa Madrid in Neuilly-sur-Seine, within the Paris suburbs. In 1930, Sauvage grew to become engaged in his final massive mission, the expansion of the department retailer La Samaritaine, a city landmark in the middle of town subsequent to the Seine.
The facades of the brand new Samaritaine allowed Sauvage to follow on a monumental scale the strategies which he earlier had solely been ready to make use of on expensive smaller buildings for personal shoppers; Huge partitions of windows, stuffed with mild, made the store a luminous landmark of the new model in the center of historic Paris. In reconstructing and increasing the shop, Sauvage preserved most of the art nouveau touches and decorations of the sooner constructing, while making a new Paris landmark of art deco design. From 1929 to 1932, he constructed a seven-story artwork deco apartment building referred to as Vert-Galant at 42 quai des Orfèvres, subsequent to the historic Place Dauphine and Palais de Justice, upsetting a powerful response from historic preservationists. In 1911, קרקעות להשקעה Sauvage and Sarazin constructed a brand new apartment constructing within the 16th arrondissement which had a novel characteristic on its floor flooring; an iron and glass buying gallery, the Cité d’Argentine, an up to date version of the Passages of the late 18th and early 19th century. He and Sarazin based a company, Société anonyme de logements hygiéniques à bon marché (The corporate for קרקע להשקעה בפתח תקווה מופשרת [https://pailand.com/unbundled-land/] hygienic and low-value housing). L’œuvre de la Société Anonyme des Logements Hygiéniques à Bon Marché, Paris s.d.